"Lindberg, O.: Gammel fäbodpsalm fran Dalarna: Old Tune from Dalecarlia (Andante)" by Oskar Lindberg, Alison Balsom, Edward Gardner, Göteborg Symfoniker was released on September 4, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 19 in Caprice by Alison Balsom. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Lindberg, O.: Gammel fäbodpsalm fran Dalarna: Old Tune from Dalecarlia (Andante) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lindberg, O.: Gammel fäbodpsalm fran Dalarna: Old Tune from Dalecarlia (Andante) by Oskar Lindberg, Alison Balsom, Edward Gardner, Göteborg Symfoniker is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
Järnefelt : Kehtolaulu (Berceuse) | Armas Järnefelt, Jyväskyla Symphony Orchestra, Kyosti Haatanen | G Minor | 1 | 6A | 89 BPM | ||
Solitude sur la montagne | Ole Bull, Charlie Siem, Paul Goodwin | D Major | 1 | 10B | 98 BPM | ||
2 Elegiac Melodien, Op. 34: II. Varen (Letzter Frühling) | Edvard Grieg, Norrköpings Symfoniorkester, Mats Rondin | A♭ Major | 1 | 4B | 108 BPM | ||
Neruda: Trumpet Concerto in E-Flat Major: III. Vivace | Johann Baptist Georg Neruda, Alison Balsom, Deutsche Kammerphilharmonie Bremen | B♭ Major | 2 | 6B | 130 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
Concerto Saint Marc: II. Allegro | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 3 | 6B | 102 BPM | ||
Nature Boy (Arr. For clarinet, cello and double bass) | Eden Ahbez, Martin Fröst, Torleif Thedéen, Svante Henryson | G Minor | 0 | 6A | 165 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, Jonathan Lemalu | D♭ Major | 1 | 3B | 118 BPM |