"Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris was released on January 22, 2016. Since Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Renaud Capuçon, Paavo Järvi, Orchestre de Paris's "Lalo: Symphonie espagnole - Bruch: Violin Concerto" album is number 8 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
12 Lieder von Schubert, S. 558: No. 9, Ständchen von Shakespeare | Franz Liszt, Mona Asuka | D Major | 0 | 10B | 67 BPM | ||
Ständchen, D. 889 | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | D Major | 0 | 10B | 76 BPM | ||
Poulenc: Les chemins de l'amour, FP 106 (Trancr. for Cello and Piano) | Francis Poulenc, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 140 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Concerto pour harpe en ut majeur: III. Rondeau. Allegro agitato | François-Adrien Boieldieu, Anaïs Gaudemard, Leo Hussain, Orchestre de l'Opéra de Rouen Normandie | C Minor | 2 | 5A | 97 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
New Moon (From "The Twilight Saga - New Moon") | Alexandre Desplat, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Minor | 2 | 8A | 100 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM |