"The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live" by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, Jonathan Lemalu was released on February 2, 2024. The duration of The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 36 in Berlioz: The Damnation of Faust (Live) by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, London Symphony Chorus, Karen Cargill, John Irvin, Christopher Purves, Jonathan Lemalu. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Damnation of Faust, Op. 24, H. 111, Scene 6: 'À boire encor!' - Live by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, Jonathan Lemalu is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 3 | 8B | 102 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |