"El Amor Brujo: Canción del fuego fátuo" by Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel was released on January 1, 1966. With El Amor Brujo: Canción del fuego fátuo being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in De Falla: L'Amour sorcier, Le Tricorne, Nuits dans les jardins d'Espagne by Manuel de Falla, Lorin Maazel, Deutsches Symphonie-Orchester Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. El Amor Brujo: Canción del fuego fátuo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Amor Brujo: Canción del fuego fátuo by Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel is Larghissimo, since this song has a tempo of 0 テンポ. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | G Major | 0 | 9B | 104 BPM | ||
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
El Niño: Pues Mi Dios Ha Nacido A Penar | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 80 BPM | ||
Te Deum in C Major, WAB 45: 4. Salvum fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | F Minor | 0 | 4A | 68 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Contemplatif-supplicare-con lagrime-devoto | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
La maja dolorosa II | Teresa Berganza, Juan Antonio Alvares Parejo | A Minor | 0 | 8A | 131 BPM |