"The Dream of Gerontius, Op. 38, Pt.2: Softly and gently" by Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé had its release date on 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Dream of Gerontius, Op. 38, Pt.2: Softly and gently is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt.2: Softly and gently by Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem, Op. 89 B. 165: Graduale: Requiem aeternam (Soprano, Chorus) | Antonín Dvořák, Christiane Libor, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | G Minor | 2 | 6A | 176 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: My work is done | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
Theodora, Hwv 68: Act I Scene 5: Air: Angels, ever bright and fair | George Frideric Handel, Christina Wieland, Frankfurt Baroque Orchestra, Joachim Carlos Martini | B♭ Minor | 0 | 3A | 55 BPM | ||
Aniara: Act II Scene 4: Jag anar dödens skugga … | Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg | D♭ Major | 0 | 3B | 90 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM |