"Elektra: Xvii. Nun denn allen!" by Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler was released on March 3, 2023. With Elektra: Xvii. Nun denn allen! being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Richard Strauss: Elektra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Elektra: Xvii. Nun denn allen! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra: Xvii. Nun denn allen! by Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
04.4 - Die Frau ohne Schatten | Hugo von Hofmannsthal | B Minor | 2 | 10A | 110 BPM | ||
ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Circe, ich konnte fliehen (Bacchus - Ariadne - Najade - Dryade - Echo) | Hugo von Hofmannsthal, Richard Strauss, Rudolf Schock, Alberto Erede, Berliner Philharmoniker | B♭ Major | 4 | 6B | 98 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Kapitel 17.2 - Jedermann | Hugo von Hofmannsthal | B Major | 2 | 1B | 174 BPM | ||
A te | Giacomo Puccini, Angela Gheorghiu, Vincenzo Scalera | G Major | 1 | 9B | 74 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Mozart: Abendempfindung, K. 523 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
L'africaine - Mi Batte Il Cor O Paradiso | Miguel Fleta | F♯ Major | 1 | 2B | 74 BPM | ||
ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Du schönes Wesen! (Bacchus - Ariadne - Najade - Dryade - Echo) | Hugo von Hofmannsthal, Richard Strauss, Rudolf Schock, Alberto Erede, Berliner Philharmoniker | D♭ Major | 2 | 3B | 85 BPM |