"ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Du schönes Wesen! (Bacchus - Ariadne - Najade - Dryade - Echo)" by Hugo von Hofmannsthal, Richard Strauss, Rudolf Schock, Alberto Erede, Berliner Philharmoniker was released on April 5, 2013. Since ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Du schönes Wesen! (Bacchus - Ariadne - Najade - Dryade - Echo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Strauss: Ariadne auf Naxos". In this album, this song's track order is #7. ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Du schönes Wesen! (Bacchus - Ariadne - Najade - Dryade - Echo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ARIADNE AUF NAXOS · Oper in einem Akt und einem Prolog · Auszüge: - Du schönes Wesen! (Bacchus - Ariadne - Najade - Dryade - Echo) by Hugo von Hofmannsthal, Richard Strauss, Rudolf Schock, Alberto Erede, Berliner Philharmoniker having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
Aida: Act I: Quale insolita gioia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D Major | 2 | 10B | 60 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
交響曲 第4番「歌のシンフォニー」 ~独唱、児童合唱とウインド・オーケストラのための~: V. 早春 | Johan de Meij, Hugo von Hofmannsthal, Norichika Iimori, Osaka Shion Wind Orchestra | F Major | 3 | 7B | 174 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Elektra: Xiii. Orest! Orest ist tod! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | E♭ Major | 3 | 5B | 81 BPM | ||
Le Comte Ory / Act 1: "O bon ermite" | Gioachino Rossini, Stefania Bonfadelli, Juan Diego Flórez, Marie-Ange Todorovitch, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM |