"Poema En Forma De Canciones (7-11): Dedicatoria" by Teresa Berganza, Juan Antonio Alvares Parejo was released on January 1, 1987. The duration of Poema En Forma De Canciones (7-11): Dedicatoria is about 3 minutes long, at 3:14. Based on our data, "Poema En Forma De Canciones (7-11): Dedicatoria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 26 in Canciones Españolas: Granados / Turina / Guridi / Toldra by Teresa Berganza. Poema En Forma De Canciones (7-11): Dedicatoria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poema En Forma De Canciones (7-11): Dedicatoria by Teresa Berganza, Juan Antonio Alvares Parejo is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
El Barbero de Sevilla: "Introducción" | Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov | E Major | 2 | 12B | 95 BPM | ||
Los Gavilanes: "Final: Nadie puede sorprendernos" | Coro Cantores de Madrid, Teresa Berganza, Tony Rosado, Manuel Ausensi, Carlos Munguia | A♭ Major | 2 | 4B | 126 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
Don Giovanni, K. 527: Ferma, perfido, ferma! | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Malcolm King, Teresa Berganza, Kenneth Riegel, Lorin Maazel | A♭ Major | 6 | 4B | 120 BPM | ||
7 Canciones Populares Españolas: Canción | Teresa Berganza, Juan Antonio Alvares Parejo | G Major | 0 | 9B | 94 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM |