Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra made "Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero)" available on January 1, 1977. With Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Magnificat & Gloria by Antonio Vivaldi, Riccardo Muti, New Philharmonia Orchestra. The song's track number on the album is #4 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) by Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 611: IV. Quia fecit (Ed. Malipiero) being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Hor mentre i canti alterno" (La Musica) | Claudio Monteverdi, Emmanuelle Haïm | D♭ Major | 1 | 3B | 86 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Gloria in D Major, RV 589: 10. Qui sedes ad dexteram patris | Antonio Vivaldi, Franco Fagioli, I Barocchisti, Diego Fasolis | B♭ Minor | 4 | 3A | 114 BPM | ||
O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) | Philippe Jaroussky, Ensemble Artaserse | A Minor | 0 | 8A | 109 BPM | ||
Rameau: Naïs: "Je ne sais quel ennui me presse" | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | B Major | 1 | 1B | 173 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Riccardo Muti, Teresa Berganza | D Major | 4 | 10B | 119 BPM | ||
Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM |