"Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde)" by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth was released on May 1, 2015. Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #7 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde) by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde) being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Requiem, Op. 89 B. 165: Introitus: Requiem aeternam - Kyrie (Vocal Quartet, Chorus) | Antonín Dvořák, Christiane Libor, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | F Major | 1 | 7B | 77 BPM | ||
Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | C Major | 3 | 8B | 113 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 2, Op. 9, "Antar": III. Allegro risoluto | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 0 | 11B | 71 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM |