"Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine" by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker was released on November 6, 2001. Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #9 out of 21 tracks. In terms of popularity, Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine by Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine being at 113 テンポ, the half-time would be 56 テンポ with a double-time of 226 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Parsifal, WWV 111 / Act III: Höchsten Heiles Wunder! ... Erlösung dem Erlöser! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 136 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 78 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Roberta Peters, Berliner Philharmoniker, Karl Böhm | F Major | 2 | 7B | 144 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Verdi- Messa Da Requiem- 1. Requiem - Original | Sir Georg Solti, Vienna Philharmonic Solti | A Major | 1 | 11B | 73 BPM |