Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens's 'Le Nozze di Figaro, K. 492: Atto quarto. Scene 11-14. N.29 Finale Cherubino, la Contessa travestite, il Conte, Susanna, Figaro "Pian pianin le andrò"' came out on 2004. Since Le Nozze di Figaro, K. 492: Atto quarto. Scene 11-14. N.29 Finale Cherubino, la Contessa travestite, il Conte, Susanna, Figaro "Pian pianin le andrò" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 19 out of 62. The popularity of Le Nozze di Figaro, K. 492: Atto quarto. Scene 11-14. N.29 Finale Cherubino, la Contessa travestite, il Conte, Susanna, Figaro "Pian pianin le andrò" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze di Figaro, K. 492: Atto quarto. Scene 11-14. N.29 Finale Cherubino, la Contessa travestite, il Conte, Susanna, Figaro "Pian pianin le andrò" by Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La finta giardiniera, K. 196, Act III Scene 8: No. 28, Coro "Vivo pur la giardiniera" (Tutti) | Wolfgang Amadeus Mozart, René Jacobs, Sophie Karthäuser, Jeremy Ovenden, Alexandrina Pendatchanska, Marie-Claude Chappuis, Nicolas Rivenq, Sunhae Im, Michael Nagy | D Major | 1 | 10B | 148 BPM | ||
Così fan tutte, K. 588: Act 1: Sestetto "Alla Bella Despinetta" - Recitativo "Che Sussurro!" | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs, Pietro Spagnoli, Werner Güra, Marcel Boone, Véronique Gens, Bernarda Fink, Graciela Oddone | C Major | 2 | 8B | 128 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Hm! hm! hm! hm!" | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 101 BPM | ||
Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala | Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel | F Major | 2 | 7B | 91 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | ||
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Vesperae solennes de confessore in C, K.339: 2. Confitebor tibi, Domine | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 98 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Orpheo: Che disse! Che ascoltai! | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | A Major | 1 | 11B | 137 BPM | ||
Die Zauberflöte / Act 1: "Du feines Täubchen, nur herein" | Wolfgang Amadeus Mozart, Heinz Zednik, Ruth Ziesak, Michael Kraus, Wiener Philharmoniker, Sir Georg Solti | G Major | 1 | 9B | 107 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM |