Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel's 'Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala' had a release date set for 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Lorin Maazel's "Mozart: Don Giovanni, K. 527" album is number 2 out of 71. In terms of popularity, Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K. 527: Act I: Notte e giorno faticar / Non sperar, se non m'uccidi / Lasciala by Wolfgang Amadeus Mozart, José van Dam, Edda Moser, Ruggero Raimondi, John Macurdy, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem in D minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Robert Lloyd, Francisco Araiza, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 66 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 1, Terzetto. "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | A♭ Major | 5 | 4B | 133 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Bei Männern, welche Liebe fühlen" | Wolfgang Amadeus Mozart, Rolando Villazón, Christiane Karg, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 172 BPM | ||
Frauenliebe und -leben op. 42: Ich kann's nicht fassen, nicht glauben | Erik Werba, Edda Moser | D♭ Minor | 1 | 12A | 96 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Così fan tutte, K. 588 / Act II: "Andate là, che siete due bizzarre ragazze" | Wolfgang Amadeus Mozart, Mojca Erdmann, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 81 BPM | ||
Ch'io mi scordi di te... Non temer, amato bene, K.505 - (Varesco): Ch'io mi scordi di te? | Wolfgang Amadeus Mozart, Mojca Erdmann, Hélène Grimaud, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | C Minor | 0 | 5A | 82 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Le nozze di Figaro, K.492 / Act 2: Signori di fuori son già i suonatori (Figaro, Conte, Susanna, Contessa) | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | G Major | 2 | 9B | 119 BPM |