"Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus" by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on November 11, 1987. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, Anthony Robson, Lisa Beznosiuk, Alastair Mitchell, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Mozart: Great Mass in C minor" album is number 12 out of 13. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus by Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2f. Gloria: Quoniam | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Le Comte Ory / Act 2: "J'entends d'ici le bruit des armes" | Gioachino Rossini, Sumi Jo, John Aler, Diana Montague, Choeur De l'Opéra National De Lyon, Orchestre de l'Opéra de Lyon, John Eliot Gardiner | C Major | 2 | 8B | 116 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 9 Arie: "Nun beut die Flur das frische Grün" | Franz Joseph Haydn, Sylvia McNair, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 3 | 6B | 118 BPM | ||
Due pupille amabili, notturno, K. 439 | Wolfgang Amadeus Mozart, Elly Ameling, Elisabeth Cooymans, Peter van der Bilt, Members of the Netherlands Wind Ensemble | F Major | 0 | 7B | 93 BPM | ||
L'incoronazione di Poppea, SV 308 / Act I: Come dolci, Signor, come soavi | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | C Major | 0 | 8B | 97 BPM | ||
Vesperae solennes de Dominica, K. 321: V. Laudate Dominum | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | A Major | 1 | 11B | 100 BPM | ||
Requiem in D minor, K.626: Tuba mirum | Wolfgang Amadeus Mozart, Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 128 BPM | ||
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: No. 26 Chor und Terzett: "Vollendet ist das große Werk" / Zu dir, o Herr, blickt alles auf | Franz Joseph Haydn, Sylvia McNair, Michael Schade, Gerald Finley, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | B♭ Major | 3 | 6B | 118 BPM |