"Sonata a tre, K 366: Adagio, Grave" by Johann Joseph Fux, BURAK, Musica Sequenza was released on June 4, 2021. The duration of Sonata a tre, K 366: Adagio, Grave is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sonata a tre, K 366: Adagio, Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 17 in Bach Opium by Christian Forshaw, Grace Davidson, Franz Liszt, Jonas Kaufmann, Stefan Temmingh, Capricornus Consort Basel, Carl Philipp Emanuel Bach, Nevermind, Quatuor Ébène, BURAK, Musica Sequenza, Diana Ramirez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata a tre, K 366: Adagio, Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a tre, K 366: Adagio, Grave by Johann Joseph Fux, BURAK, Musica Sequenza is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Tradent enim vos - Magnificat | Giovanni Felice Sances, Johann Joseph Fux, Arsys Bourgogne, Pierre Cao, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 78 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - | Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A Major | 3 | 11B | 199 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): III. Sarabanda: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 113 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": I. Overture | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 112 BPM |