On 1995, the song "Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro -" was released by Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen. With Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 26 in Buxtehude: Chamber Music (Complete), Vol. 2 - 7 Trio Sonatas, Op. 2 by Dietrich Buxtehude. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - by Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen is Presto (very, very fast), since this song has a tempo of 199 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F Major, BuxWV 269: Violino 1 solo: 4/4 - | Dietrich Buxtehude, John Holloway, Ursula Weiss, Jaap Ter Linden, Lars Ulrik Mortensen | A♭ Minor | 1 | 1A | 88 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Buxtehude: In dulci jubilo, BuxWV 52 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Amsterdam Baroque Orchestra | E Major | 0 | 12B | 75 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM |