Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's 'Sechs deutsche Lieder, Opus 72: Nr. 6 Schlaflied (Arr. für Stimme und Gitarre von Boris Tesic)' had a release date set for September 8, 2023. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 18 out of 24. On top of that, Germany appears to be the country where this track was created. Sechs deutsche Lieder, Opus 72: Nr. 6 Schlaflied (Arr. für Stimme und Gitarre von Boris Tesic) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sechs deutsche Lieder, Opus 72: Nr. 6 Schlaflied (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante | Wolfgang Amadeus Mozart, Matthias Rácz, Rafael Rosenfeld | F Major | 0 | 7B | 132 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux | Claude Debussy, Yvan Chiffoleau, Jean Hubeau | F♯ Major | 0 | 2B | 113 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 6: No. 5, Why? | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | B♭ Major | 1 | 6B | 84 BPM | ||
Sonata for Viola and Piano No.2 in E flat, Op.120 No.2: 1. Allegro amabile | Johannes Brahms, Kim Kashkashian, Robert Levin | E♭ Major | 0 | 5B | 102 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM |