London Festival Orchestra, Alfred Scholz's 'Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2)' came out on January 1, 2009. The duration of Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) by London Festival Orchestra, Alfred Scholz is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Moment musical in F Minor, Op. 94, No. 3 | Franz Schubert, Philippe Entremont | A♭ Major | 1 | 4B | 100 BPM | ||
Orpheus in the Underworld: Cancan - Single Version | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 5 | 10B | 152 BPM | ||
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
The Four Seasons, Violin Concerto in E Major, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Pieter Schoeman, David Parry, London Philharmonic Orchestra | E Major | 2 | 12B | 109 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) | Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 89 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM |