"Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra was released on January 1, 1989. With this song being about 5 minutes long, at 5:25, "Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft)" by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Preludes and Overtures by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra, New Philharmonia Orchestra. The song's track number on the album is #7 out of 18 tracks. Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) by Richard Wagner, Sir Adrian Boult, London Philharmonic Orchestra has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, WWV 86B, Act 3 Scene 1: Walkürenritt (Concert Version. Lebhaft) being at 89 テンポ, the half-time would be 44 テンポ with a double-time of 178 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM |