"Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses" by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 46 out of 50. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, ZWV 66: De torrente - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A Minor | 2 | 8A | 127 BPM | ||
Requiem in E-Flat Major: Dies irae (Chorus, Soloists) | Niccolò Jommelli, Antonio De Lucía, Viorel Kojocaru, Coro dell'Accademia Nazionale Moldava, Orchestra Sinfonica Moldava, Elena Cioric, Beata Ganzel, Silvano Frontalini | E♭ Major | 1 | 5B | 91 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Amen. Grave | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM |