Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat" available on March 8, 2024. With Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 23 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 8., Fac ut ardeat by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in Mi b maggiore Rv 483: Presto | Antonio Vivaldi, Mauro Monguzzi, Suela Piciri, Estela Sheshi, Joel Impérial, Martina Lopez, Alessandro Serra, Giovanni Brollo | B♭ Major | 4 | 6B | 148 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Dixit Dominus: III. Juravit Dominus | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
English Folk Songs: O Waly Waly | Traditional, Andreas Scholl, Edin Karamazov | E Major | 1 | 12B | 110 BPM | ||
Motetto per ogni Tempo: II. Aria. Quam magnificata | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | D♭ Major | 1 | 3B | 88 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: III. Aria "Ich kann getrost im Tode sein" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache | F♯ Major | 2 | 2B | 137 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Salve Regina: No. 4., Eja ergo advocata nostra | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |