"Seasons: No. 1, Autumn" by Dominick Argento, The Singers - Minnesota Choral Artists, Matthew Culloton was released on April 15, 2022. With this song being about 5 minutes long, at 4:36, "Seasons: No. 1, Autumn" by Dominick Argento, The Singers - Minnesota Choral Artists, Matthew Culloton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 11 in Come to the Woods by The Singers - Minnesota Choral Artists, Matthew Culloton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Seasons: No. 1, Autumn is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seasons: No. 1, Autumn by Dominick Argento, The Singers - Minnesota Choral Artists, Matthew Culloton is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allez, Ma Chérie | Fanny Hearst | F Minor | 0 | 4A | 71 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Ye people, rend your hearts" - "If with all your hearts" | Felix Mendelssohn, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 118 BPM | ||
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Postcard from Morocco: (A high, shrill train whistle) | Dominick Argento, Yale Marshall, Barbara Brandt, Vern Sutton, Barry Busse, Paul Freed, Sarita Roche, Michael Foreman, Janis Hardy, Philip Brunelle | C Major | 2 | 8B | 72 BPM | ||
The Crucifixion: The Agony (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | D♭ Minor | 1 | 12A | 68 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM |