"La mi sola, Laureola…" by Maria Bayo, J.A. Alvarez-Parejo was released on January 1, 1992. The duration of La mi sola, Laureola… is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La mi sola, Laureola…'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of La mi sola, Laureola… is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La mi sola, Laureola… by Maria Bayo, J.A. Alvarez-Parejo is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Turandot / Act 2: "In questa reggia" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 2 | 10B | 78 BPM | ||
Antigona - Opera in Three Acts - Revised Aldo Rocchi (1908-1982) - Act 1: Fermatevi crudeli | Tommaso Traetta, Maria Bayo, Anna Maria Panzarella, Carlo Allemano, Les Talens Lyriques, Christophe Rousset | C Minor | 1 | 5A | 106 BPM | ||
La Cenerentola / Act 1: "Un tantin di carità" | Gioachino Rossini, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Minor | 1 | 5A | 61 BPM | ||
Bohemios: No. 3, Duo de Cossette et Pelagia | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Rosa Maria Ysas | D Major | 2 | 10B | 84 BPM | ||
Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace) | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 121 BPM | ||
Briseida: No. 4, Aria "Adios prenda de mi amor" | Antonio Rodríguez de Hita, Maria Bayo, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 128 BPM | ||
Tríptico de canciones: De Cádiz A Gibraltar | Jesús Garcia Leoz, Maria Bayo, Orquesta Sinfonica de Navarra, Ernest Martinez Izquierdo | B♭ Major | 3 | 6B | 129 BPM | ||
El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM |