Teresa Berganza made "El Barberillo de Lavapies (Canción de Paloma)" available on September 30, 2014. The duration of El Barberillo de Lavapies (Canción de Paloma) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. El Barberillo de Lavapies (Canción de Paloma)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Romanzas y Dúos de Zarzuelas". In this album, this song's track order is #1. Based on our statistics, El Barberillo de Lavapies (Canción de Paloma)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With El Barberillo de Lavapies (Canción de Paloma) by Teresa Berganza having a テンポ of 143 with a half-time of 72 テンポ and a double-time of 286 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Seis Canciones: Mañanita de San Juan | Teresa Berganza, Juan Antonio Alvares Parejo | F Major | 0 | 7B | 103 BPM | ||
"Ch'io mi scordi di te... Non temer, amato bene", K.505 | Wolfgang Amadeus Mozart, Teresa Berganza, Geoffrey Parsons, London Symphony Orchestra, Sir John Pritchard | G Major | 2 | 9B | 105 BPM | ||
Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM | ||
La Rosa del Azafrán: "Sagrario y Juan Pedro" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | B♭ Major | 4 | 6B | 86 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 2 | 9B | 72 BPM | ||
Lullaby | Felix Lavilla, Teresa Berganza | A Minor | 1 | 8A | 102 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Fiel Espada Triunfadora | Orquesta Sinfónica Española | B Major | 1 | 1B | 120 BPM |