Leonard Bernstein, Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra's 'Candide / Act I: 9. Auto-da-fé' came out on January 1, 1991. Since Candide / Act I: 9. Auto-da-fé is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 9. Auto-da-fé's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act I: 9. Auto-da-fé by Leonard Bernstein, Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | A Major | 5 | 11B | 66 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Carmen, WD 31 / Act 2: "Votre toast... je peux..." - "Toréador, en garde" | Georges Bizet, Sherrill Milnes, George Main, Robert Lloyd, Teresa Berganza, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, Alicia Nafé, Jean Lainé, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | F Major | 2 | 7B | 105 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | ||
Susannah / Act 1: "Ain't it a pretty night?" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | B Major | 1 | 1B | 80 BPM | ||
Rigoletto / Act 3: "V'ho ingannato" - "Lassù... in cielo" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 82 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | ||
The Yeomen of the Guard: When our gallant Norman foes | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 2 | 5B | 77 BPM | ||
Symphony No.29 In A Major K.186a (K. 201): Allegro con spirito | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM |