Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop's 'Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone)' came out on August 25, 2009. With Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 32 in Bernstein, L.: Mass by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone) by Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song. Andante - Allegretto tranquillamente | Edvard Grieg, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 81 BPM | ||
Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, Leonard Bernstein, New York Philharmonic | B Major | 2 | 1B | 86 BPM | ||
"West Side Story" - Symphonic Dances: III. Scherzo - Live | Leonard Bernstein, Los Angeles Philharmonic | C Major | 0 | 8B | 77 BPM | ||
Concerto for Orchestra, "Jubilee Games": IV. Benediction: Moderato, invocando | Leonard Bernstein, Nathan Gunn, New Zealand Symphony Orchestra, James Judd | B Major | 1 | 1B | 179 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |