"Susannah / Act 1: "Ain't it a pretty night?"" by Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. Susannah / Act 1: "Ain't it a pretty night?" is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Renée Fleming - I Want Magic! - American Opera Arias". In this album, this song's track order is #7. Susannah / Act 1: "Ain't it a pretty night?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Susannah / Act 1: "Ain't it a pretty night?" by Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
The Mystery (Arr. for Voice & Piano): No. 2, Gentleness | Carlisle Floyd, Melody Moore, Bradley Moore | G Minor | 1 | 6A | 66 BPM | ||
Otello / Act 4: "Mia madre aveva una povera ancella" | Giuseppe Verdi, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 2 | 12B | 87 BPM | ||
Suor Angelica: Tutto ho offerto all Vergine, sì, tutto | Giacomo Puccini, Dame Joan Sutherland, Christa Ludwig, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 49 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 1 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Puccini: La rondine, Act 1: "Un momento, scusi ecco" (Lisette, Rambaldo, Magda) | Giacomo Puccini, Alberto Rinaldi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Candide / Act II: 22. The Ballad Of Eldorado | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra, London Symphony Chorus, Simon Joly | F♯ Major | 1 | 2B | 133 BPM | ||
Beau soir, L. 6 | Claude Debussy, Gérard Souzay, Dalton Baldwin | F♯ Minor | 0 | 11A | 77 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM |