Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy made "Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act I: Finale (Feri, Szilvia, Boni, Miska, Chorus)" available on November 1, 2014. Since Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act I: Finale (Feri, Szilvia, Boni, Miska, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Emmerich Kálmán, Tamás Bródy's "Kalman: Die Csárdásfürstin" album is number 8 out of 16. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act I: Finale (Feri, Szilvia, Boni, Miska, Chorus)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act I: Finale (Feri, Szilvia, Boni, Miska, Chorus) by Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romantic Rhythm | Methyl DX | D Major | 0 | 10B | 80 BPM | ||
Bulgaren-marsch | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 4 | 11B | 120 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
Je t‘aime (Les Trois Valses) | Oscar Straus, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
Wiener Bürger, Op.419: Walzer | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | C Major | 1 | 8B | 98 BPM | ||
(Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act II: Machen wir's den Schwalben nach | Emmerich Kálmán, Margot Guillaume, Rupert Glawitsch, Northwest German Radio Symphony Orchestra, Harry Herrmann | F Major | 2 | 7B | 105 BPM | ||
Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM |