Alessandro Striggio, Claudio Monteverdi, Christina Pluhar made "Monteverdi: L'Orfeo, SV 318: Toccata" available on January 5, 2009. With Monteverdi: L'Orfeo, SV 318: Toccata being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 1 out of 16. Based on our statistics, Monteverdi: L'Orfeo, SV 318: Toccata's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Monteverdi: L'Orfeo, SV 318: Toccata by Alessandro Striggio, Claudio Monteverdi, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Handel / Arr Pluhar: Where'er you walk (Aria di Semele, from Semele HWV 58) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | B♭ Major | 1 | 6B | 112 BPM | ||
Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act I: Song. "Ah Belinda, I Am Press'd with Torment" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | A Minor | 0 | 8A | 76 BPM | ||
Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6 - Live | Claudio Monteverdi, Nigel Robson, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | B Minor | 1 | 10A | 167 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Ciaccona | Tarquinio Merula, Christina Pluhar | C Major | 2 | 8B | 92 BPM | ||
Tarantella calabrese | Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | G Major | 3 | 9B | 131 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM |