"Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act I: Song. "Ah Belinda, I Am Press'd with Torment"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza was released on 1900. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 11 out of 17. Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act I: Song. "Ah Belinda, I Am Press'd with Torment" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act I: Song. "Ah Belinda, I Am Press'd with Torment" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: II. Vanum | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky | F Major | 0 | 7B | 167 BPM | ||
She loves and she confesses (Arr. The Dowland Project, Potter) | Henry Purcell, The Dowland Project, John Potter | C Major | 1 | 8B | 128 BPM | ||
Moulinié: Enfin la beauté que j'adore | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Major | 1 | 12B | 119 BPM | ||
La Villanella, Prima parte, Pensieri amorosi: V. Ite sospiri miei | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 120 BPM | ||
La Villanella, Seconda parte, Dolente partita: IV. Galliarda prima | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar | F Major | 3 | 7B | 103 BPM | ||
Handel: Lascia ch'io pianga (Aria di Almirena, from Rinaldo HWV 7) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 1 | 7B | 107 BPM | ||
La Villanella, Terza parte, Alle nozze: I. Senso fallace | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer | F Major | 1 | 7B | 109 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Legrenzi / Arr. Pluhar: Con cent’occhi | Giovanni Legrenzi, Christina Pluhar, Bruno de Sá | B Minor | 1 | 10A | 80 BPM |