"Legrenzi / Arr. Pluhar: Con cent’occhi" by Giovanni Legrenzi, Christina Pluhar, Bruno de Sá was released on October 29, 2021. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 24 in Alla Napoletana by Christina Pluhar, L'Arpeggiata. Legrenzi / Arr. Pluhar: Con cent’occhi is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Legrenzi / Arr. Pluhar: Con cent’occhi by Giovanni Legrenzi, Christina Pluhar, Bruno de Sá is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sartorio: Antonino e Pompeiano, Act 3: "La certezza di sua fede" (Pompeiano) | Antonio Sartorio, Jakub Józef Orliński, Il Pomo D'oro | D Major | 2 | 10B | 127 BPM | ||
Mysliveček: Demetrio: "Mi parea del porto in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | F Major | 2 | 7B | 134 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
La Villanella, Seconda parte, Dolente partita: VIII. Lacrime estreme | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | A Major | 1 | 11B | 81 BPM | ||
Traditional / Arr. Pluhar: Raziella | Traditional, Christina Pluhar, Vincenzo Capezzuto | B♭ Major | 1 | 6B | 129 BPM | ||
La divisione del mondo: "Lumi, potete piangere" - Aria | Giovanni Legrenzi, Les Furiosi Galantes, Luan Góes | E♭ Minor | 1 | 2A | 111 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Queste pungente spine | Benedetto Ferrari, Christina Pluhar | G Major | 1 | 9B | 115 BPM | ||
L’Allegro, il Penseroso ed il Moderato, HWV 55: Mirth, Admit Me of Thy Crew | George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |