Ludwig van Beethoven, Mischa Maisky, Martha Argerich's '12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation XI. Adagio' came out on January 1, 1993. The duration of 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation XI. Adagio is about 3 minutes long, at 3:24. Based on our data, "12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation XI. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 24 in Beethoven: Cello Sonatas Op.69 & 102; Variations by Ludwig van Beethoven, Mischa Maisky, Martha Argerich. 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation XI. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation XI. Adagio by Ludwig van Beethoven, Mischa Maisky, Martha Argerich is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Cello Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato | César Franck, Jacqueline du Pré, Daniel Barenboim | D Major | 0 | 10B | 99 BPM | ||
Mendelssohn: Song without words | Tenenbaum & Kapp | B♭ Major | 1 | 6B | 139 BPM | ||
Cello Concerto No. 1 in E Flat Major, Op. 107: III. Cadenza | Dmitri Shostakovich, Mischa Maisky | D Major | 0 | 10B | 95 BPM | ||
Mazurka No. 15 In C Op. 24 No. 2 | Frédéric Chopin, Martha Argerich | C Major | 1 | 8B | 118 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid | Fritz Kreisler, Renaud Capuçon, Martha Argerich | E Minor | 2 | 9A | 132 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 1 | 7B | 89 BPM | ||
String Quartet No. 5 in A Major, Op. 18 No. 5: 3. Andante cantabile | Ludwig van Beethoven, Emerson String Quartet | D Major | 1 | 10B | 121 BPM | ||
Deux Poèmes de Louis Aragon: I. "C" | Francis Poulenc, Mischa Maisky, Daria Hovora | A Minor | 0 | 8A | 88 BPM | ||
Two Pieces for Cello and Piano (1899 Version, Ed. Piatigorsky): 1. Langsam - Live at Schloss Elmau, Krün / 2016 | Anton Webern, Mischa Maisky, Lily Maisky | G Major | 0 | 9B | 93 BPM |