"Mendelssohn: Song without words" by Tenenbaum & Kapp was released on 1996. The duration of Mendelssohn: Song without words is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Mendelssohn: Song without words's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Songs Without Words". In this album, this song's track order is #9. Based on our statistics, Mendelssohn: Song without words's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mendelssohn: Song without words by Tenenbaum & Kapp having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo di menuetto (in the style of Pugnani) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 102 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Cello Sonata No.2 in F major, Op.123: I. Maestoso, largamente - Tranquillo | Camille Saint-Saëns, Jamie Walton, Daniel Grimwood | E♭ Major | 2 | 5B | 176 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Eight Pieces, Op. 83 | Max Bruch, Leslie Craven, HAUSER, Yoko Misumi | D♭ Minor | 1 | 12A | 64 BPM | ||
Sonata for Violin and Guitar in A Major, Op. 2, No. 1, MS 26: Polonese | Niccolò Paganini, Scott St. John, Simon Wynberg | G Major | 0 | 9B | 97 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Violin Concerto N.0 in E Minor: II. Adagio | Niccolò Paganini, Salvatore Accardo, Orchestra Da Camera Italiana | E Major | 1 | 12B | 90 BPM |