"Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace" by Johannes Brahms, Mischa Maisky, Pavel Gililov was released on January 1, 1999. Since Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 14 in Brahms: Cello Sonata No.1 in E Minor Op.38 by Johannes Brahms, Mischa Maisky, Pavel Gililov. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata No. 2 in F Major, Op. 99: I. Allegro vivace by Johannes Brahms, Mischa Maisky, Pavel Gililov is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in G Minor, Op. 57: III. Scherzo | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D♭ Minor | 5 | 12A | 138 BPM | ||
Cello Sonata No. 2 in D Major, Op. 58: III. Adagio | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | G Major | 0 | 9B | 89 BPM | ||
Piano Trio in G Minor, Op. 17: IV. Allegretto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Klöckner | G Minor | 1 | 6A | 86 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Mazurka No.19 In B Minor, Op.30 No.2 | Frédéric Chopin, Vladimir Ashkenazy | F♯ Minor | 1 | 11A | 109 BPM | ||
String Quartet No. 13 in G Major, Op. 106, B. 192: I. Allegro moderato | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 158 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: IV. Allegro con brio | Sergei Prokofiev, Gidon Kremer, Martha Argerich | D Major | 2 | 10B | 124 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM |