On October 21, 2010, the song "Medley: Overture/Rome" was released by Cesare Siepi. The duration of Medley: Overture/Rome is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Medley: Overture/Rome's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Bravo Giovani (original Broadway Cast Recording) by Cesare Siepi. In terms of popularity, Medley: Overture/Rome is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Medley: Overture/Rome by Cesare Siepi is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ella giammai m´amo (Don Carlo) | Cesare Siepi | D Major | 2 | 10B | 81 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Tu che fai l´addormentata (Faust) | Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana | D Major | 3 | 10B | 129 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
The Bartered Bride: ACT I, Scene 3. Kecal Jak vám pravím | Bedřich Smetana, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
Lucia di Lammermoor, Act I: Regnava nel silenzio | Gaetano Donizetti, Zuzana Markova, Carlotta Vichi, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 1 | 7B | 64 BPM | ||
Medley: Overture/Rome | Cesare Siepi | E Minor | 7 | 9A | 102 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | D♭ Minor | 1 | 12A | 76 BPM | ||
Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall | Richard Wagner, Klaus König/Lucia Popp/Bernd Weikl/Waltraud Meier/Kurt Moll/Siegfried Jerusalem/Donald Litaker/Rainer Scholze/Gabriele Sima/Vier Tölzer Knaben/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink/Walto, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | B Major | 2 | 1B | 65 BPM |