"Madame Butterfly: "Addio fiorito asil"" by Mario del Monaco was released on February 24, 1951. With Madame Butterfly: "Addio fiorito asil" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 36 out of 41. On top of that, Germany appears to be the country where this track was created. Madame Butterfly: "Addio fiorito asil" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madame Butterfly: "Addio fiorito asil" by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act III: Sì, vendetta, tremenda vendetta | Giuseppe Verdi, Ettore Bastianini, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | A Major | 3 | 11B | 79 BPM | ||
Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Lakmé (1997 Digital Remaster): Où va la jeune indoue (Bell Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Minor | 1 | 11A | 131 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Otello / Act 4: Aprite! Aprite! | Giuseppe Verdi, Ana Raquel Satre, Mario del Monaco, Renata Tebaldi, Nello Romanato, Aldo Protti, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | F Major | 3 | 7B | 77 BPM | ||
Otello / Act 2: Dove guardi splendono | Giuseppe Verdi, Mario del Monaco, Renata Tebaldi, Aldo Protti, Wiener Kinderchor, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM | ||
Otello / Act 2: Pace, signor | Giuseppe Verdi, Aldo Protti, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM |