Giuseppe Verdi, Ettore Bastianini, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino made "Rigoletto, Act III: Sì, vendetta, tremenda vendetta" available on February 3, 2010. The duration of Rigoletto, Act III: Sì, vendetta, tremenda vendetta is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Rigoletto, Act III: Sì, vendetta, tremenda vendetta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Rigoletto". In this album, this song's track order is #9. Rigoletto, Act III: Sì, vendetta, tremenda vendetta is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rigoletto, Act III: Sì, vendetta, tremenda vendetta by Giuseppe Verdi, Ettore Bastianini, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
Fedora / Act 2: "Amor ti vieta" - Remastered | Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | C Major | 3 | 8B | 171 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Egli s'avanza...Lucia, perdona se ad ora inusitata" (Alisa, Edgardo, Lucia) | Gaetano Donizetti, Anna Maria Canali, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Minor | 2 | 7A | 86 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | G Major | 1 | 9B | 88 BPM | ||
Aida: O patria mia | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | C Major | 2 | 8B | 99 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM |