"Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen" by Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe was released on June 3, 1996. Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Brahms: Ein deutsches Requiem (A German Requiem) by Johannes Brahms, Philippe Herreweghe, Orchestre des Champs-Élysées, Gerald Finley, La Chapelle Royale, Collegium Vocale Gent, Christiane Oelze. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen by Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM | ||
Equale No. 1 pour 3 trombones | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | E♭ Major | 0 | 5B | 71 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): O dolce mio tesoro | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 70 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Two Songs, Op. 91: Geistliches Wiegenlied | Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane | F Major | 1 | 7B | 90 BPM |