"Two Songs, Op. 91: Geistliches Wiegenlied" by Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane was released on 2010. Two Songs, Op. 91: Geistliches Wiegenlied is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 6 out of 10 in Brahms: Quintet, Two Songs and String Quintet by Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Maria Osipova, Boris Brovtsyn, Julia Dekneka, Kristine Blaumane. In terms of popularity, Two Songs, Op. 91: Geistliches Wiegenlied is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Songs, Op. 91: Geistliches Wiegenlied by Johannes Brahms, Maxim Rysanov, Alice Coote, Ashley Wass, Alexander Sitkovetsky, Julia Dekneka, Kristine Blaumane is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 36: III. Allegro molto | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 76 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Symphony No. 2 in A Minor, Op. 55: IV. Prestissimo - Andantino - Tempo primo | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 140 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
4 Klavierstücke, Op. 119: No. 2, Intermezzo in E Minor. Andantino un poco agitato | Johannes Brahms, Rudolf Serkin | E Major | 0 | 12B | 75 BPM |