"Four Songs, Op.2: 2. The Nightingale and the Rose" by Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman was released on April 13, 2018. The duration of Four Songs, Op.2: 2. The Nightingale and the Rose is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Four Songs, Op.2: 2. The Nightingale and the Rose's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Adelaide Chamber Singers's "Home" album is number 12 out of 21. Four Songs, Op.2: 2. The Nightingale and the Rose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Songs, Op.2: 2. The Nightingale and the Rose by Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Requiem No. 1 in C Minor: Dies irae | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 137 BPM | ||
Fauré: Messe basse: Benedictus | Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger | A♭ Major | 0 | 4B | 75 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Kullervo, Op. 61: Act I Scene 2: Mina tahdon olla tuoksuva ja lammin kuin nuori leipa (Smith's Young Wife) | Aulis Sallinen, Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Anna-Lisa Jakobsson, Pertti Makela, Juha Kotilainen, Paula Etelavuori, Marko Putkonen, Matti Heinikari, Esa Ruuttunen, Vesa-Matti Loiri, Finnish National Opera Chorus, Finnish National Opera Orchestra, Ulf Söderblom | A♭ Major | 0 | 4B | 79 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM |