Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise's 'Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle' came out on 2004. With this song being about 5 minutes long, at 4:35, "Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle" by Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Opera Classics, so we believe that "Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle" is a single. In terms of popularity, Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen (2000 Digital Remaster): Récit & Habanera: Quand je vous aimerai?...L'amour est un oiseau rebelle by Sir Thomas Beecham, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pizzicato Polka (1870) | Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 99 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Mozart: Rondo in E-Flat Major, K. 371 (Arr. B. Tuckwell) | Wolfgang Amadeus Mozart, Radovan Vlatkovic, Jeffrey Tate, English Chamber Orchestra | E♭ Major | 1 | 5B | 111 BPM | ||
Puccini: La bohème, Act 3: "Ohè, là, le guardie!" (Musetta, Doganiere, Coro) | Giacomo Puccini, Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Thomas Powell, RCA Victor Orchestra | A Major | 0 | 11B | 135 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM |