"Carmen, Opera Suite No. 1: I. Prelude, Act 1" by London Festival Orchestra Alfred Scholz was released on January 1, 2009. With Carmen, Opera Suite No. 1: I. Prelude, Act 1 being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Carmen, Opera Suite No. 1: I. Prelude, Act 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Opera Suite No. 1: I. Prelude, Act 1 by London Festival Orchestra Alfred Scholz is Lento (slowly), since this song has a tempo of 47 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 | London Festival Orchestra | C Minor | 2 | 5A | 140 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Concerto For Violin And Strings in E, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Federico Agostini, I Musici | F Major | 1 | 7B | 92 BPM | ||
Largo | Orquesta Filarmónica de Viena | D♭ Major | 0 | 3B | 77 BPM | ||
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: II. Andante | Slovak Philharmonic, Alfred Scholz | G Major | 0 | 9B | 115 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM |