Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan made "Pizzicato Polka (1870)" available on January 1, 1988. The duration of Pizzicato Polka (1870) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Pizzicato Polka (1870)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Johann and Josef: Waltzes and Polkas". In this album, this song's track order is #3. In terms of popularity, Pizzicato Polka (1870) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pizzicato Polka (1870) by Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Symphony No.9 In D / 1. Satz: Etwas frischer | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 99 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
Scheherazade, Op. 35: II. Lento | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM |