"Historia der Auferstehung Jesu Christi, SWV 50: V. Und da sie gingen" by Heinrich Schütz, Tobias Mäthger, Georg Poplutz, Felix Rumpf, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. With Historia der Auferstehung Jesu Christi, SWV 50: V. Und da sie gingen being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: V. Und da sie gingen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: V. Und da sie gingen by Heinrich Schütz, Tobias Mäthger, Georg Poplutz, Felix Rumpf, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Battle Suite: II. Courant | Samuel Scheidt, American Brass Quintet | A Minor | 1 | 8A | 101 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Jesu, Meine Freude BWV 227: Unter Deinem Schirmen - Choral | Calmus Ensemble | D♭ Minor | 2 | 12A | 83 BPM | ||
Geistliche Chormusik, Op. 11: 28. Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | Heinrich Schütz, Jan Kobow, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 132 BPM | ||
Cantiones sacrae, Op. 4: 13. Heu mihi Domine, SWV 65 | Heinrich Schütz, Dorothee Mields, David Erler, Stefan Kunath, Georg Poplutz, Tobias Mäthger, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B♭ Minor | 1 | 3A | 99 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM |