"Geistliche Chormusik, Op. 11: 28. Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396" by Heinrich Schütz, Jan Kobow, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. With this song being about 5 minutes long, at 5:02, "Geistliche Chormusik, Op. 11: 28. Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396" by Heinrich Schütz, Jan Kobow, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 10 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 28. Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 28. Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 by Heinrich Schütz, Jan Kobow, Hille Perl, Ludger Rémy, Cappella Sagittariana Dresden, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Prologue | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | D Major | 1 | 10B | 105 BPM | ||
Io Mi Son Giovinetta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | D Major | 2 | 10B | 84 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: II. Da der Sabbath vergangen war | Heinrich Schütz, Marie Luise Werneburg, Georg Poplutz, Tobias Mäthger, Oliver Kaden, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
Schauet doch und sehet, BWV 46: No. 5, Doch Jesus will auch bei der Strafe | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart, Elvira Bill | B Major | 1 | 1B | 94 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM |