"Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus" by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick was released on January 1, 2007. With Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Joseph Haydn's "Haydn: Mass No. 2 in F Major, "Missa Brevis" / Mass No. 3 in C Major, "Missa Cellensis"" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in D Major, Hob.III:30, (Op. 17 No. 6): 4. Finale. Allegro | Joseph Haydn, The Angeles String Quartet | D Major | 2 | 10B | 138 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Sancta Mater | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | F Major | 0 | 7B | 98 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Bach, JS: Wer mich liebet, der wird mein Wort halten, BWV 59: No. 1, Duett. "Wer mich liebet" | Johann Sebastian Bach, Jürgen Jürgens | C Major | 2 | 8B | 63 BPM |