"Die Walküre: Ride of the Valkyries" by Richard Wagner, Eugene Ormandy, Philadelphia Orchestra had its release date on 1961. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Fright Night: Music That Goes Bump in the Night by The Philadelphia Orchestra, The Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Die Walküre: Ride of the Valkyries is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Walküre: Ride of the Valkyries by Richard Wagner, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Thieving Magple: Overture | Gioacchino, Orquesta Lírica Bellaterra, José Antonio López de Arjona | E Major | 1 | 12B | 152 BPM | ||
Wagner: Die Walküre: Ride of the Valkyries | Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris | B Major | 4 | 1B | 92 BPM | ||
Symphony No. 9 in D Minor, Op. 125: II. Molto vivace | Great Festival Orchestra | D Minor | 2 | 7A | 123 BPM | ||
Mars (from The Planets) | Gustav Holst, Summit Brass | E Minor | 1 | 9A | 88 BPM | ||
The Valkyrie, Wwv 86b, Act Iii: Ride of the Valkyries (From Apocalypse Now) | London Philharmoni Orchestra, Alberto Lizzio | B Major | 2 | 1B | 101 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
Oh Canada | Caliza Lavalle, Symphony Orchestra Of Canada, Stefanos Karabekos | E♭ Major | 4 | 5B | 139 BPM | ||
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In the Hall of the Mountain King | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | A Major | 1 | 11B | 119 BPM |