Gioacchino, Orquesta Lírica Bellaterra, José Antonio López de Arjona's 'The Thieving Magple: Overture' came out on 2004. The Thieving Magple: Overture appears to be safe for all ages as it is not explicit. The track order of this song in Gioacchino, Orquesta Lírica Bellaterra, José Antonio López de Arjona's "Gioacchino Rossini: Masters of Classical. Rossini Overtures" album is number 7 out of 7. On top of that, Spain appears to be the country where this track was created. Based on our statistics, The Thieving Magple: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Thieving Magple: Overture by Gioacchino, Orquesta Lírica Bellaterra, José Antonio López de Arjona to be Allegro (fast, quick, and bright) because the track has a tempo of 152 テンポ, a half-time of 76テンポ, and a double-time of 304 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata and Fugue in D Minor, BWV 565: 2. Fugue | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 91 BPM | ||
Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | A Minor | 0 | 8A | 79 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 67 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Slovak State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser | G Major | 1 | 9B | 92 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |