"Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang" by Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1998. The duration of Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Also sprach Zarathustra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang by Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival Of The Animals, Finale | Chicago Symphony Orchestra | C Major | 3 | 8B | 100 BPM | ||
Romeo and Juliet Suite: Masks | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | B♭ Major | 1 | 6B | 161 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Festliches Präludium, Op. 61, TrV 229 | Richard Strauss, Olivier Latry, Boston Symphony Orchestra, Gewandhausorchester, Andris Nelsons | F Major | 2 | 7B | 83 BPM | ||
2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen | Richard Strauss, Amelia Piano Trio, Max Mandel | D Minor | 1 | 7A | 144 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | D Minor | 2 | 7A | 116 BPM | ||
Ouverture Solennelle "1812," Op.49 | Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Daniel Barenboim | E♭ Major | 2 | 5B | 133 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM |