"Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen" by Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El was released on May 21, 2010. The duration of Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Klaus Mertens, Shalev Ad-El's "Lobt Gott ihr Christen allzugleich: Baroque Bass Cantatas" album is number 7 out of 29. In terms of popularity, Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen by Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Minor | 1 | 5A | 114 BPM | ||
Meines Bleibens ist nicht hier: No. 3, Ich wandre fort nach meiner Ruh | Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El | B Major | 1 | 1B | 136 BPM | ||
Christus am Ölberge, Op. 85: Preiset des Erlösers Güte | Ludwig van Beethoven, Simone Kermes, Das Neue Orchester, Christoph Spering | C Major | 3 | 8B | 114 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Mit Fried und Freud ich fahr dahin: Recitative: So hor ich Simeon voll heilger Wollust singen | Christian Michael Wolff, Klaus Mertens, Accademia Daniel, Shalev Ad-El | D♭ Major | 1 | 3B | 90 BPM | ||
Missa brevis in C Major, K. 220: II. Gloria | Wolfgang Amadeus Mozart, Jens Wollenschläger, Petra Labitzke, Barbara Werner, Daniel Sans, Christoph Fischesser, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt | G Major | 1 | 9B | 73 BPM | ||
Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 111 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IX. Andante sostenuto assai. "Drum sing' ich mit meinem Liede ewig dein Lob" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 94 BPM | ||
Piccolo quartetto in C Major, BI425: I. Romance | Alessandro Rolla, Quartetto Bernardini | F Major | 2 | 7B | 137 BPM |